{"product_id":"sony-cinema-line-fx30-super-35-camera-ilme-fx30b","title":"Sony Cinema Line FX30 Super 35 Interchangeable Lens Camera Body ILME-FX30B","description":"Leap into the world of filmmaking\n\nThe FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilization makes advanced filmmaking more accessible than ever.\n\nProduct Highlights:\n\n20.1 MP1 Exmor R™ APS-C (Super 35mm format) image sensor with wide dynamic range\n\nS-CinetoneTM for a cinematic look straight out of the camera without grading\n\nFlexible ISO, Cine EI Quick and Cine EI Log shooting modes for optimized image quality\n\nUser LUTs can be applied to the LCD display and HDMI output and embedded in clips\n\nDual Base ISO and a 14+ stop range for wide latitude and low-noise images\n\nDependable, accurate autofocus with Real-time Eye and Real-time Tracking AF\n\nImage stabilization Active Mode supports handheld movie shooting\n\nExtensive recording formats for high image quality and advanced post-production\n\nCreative slow-motion options with up to 4K (QFHD) 120p with autofocus\n\n4K 16-bit RAW output from HDMI terminal for compatible external recorders\n\nSophisticated focus functions to handle any situation\n\nUninterrupted 4K 60p recording with cooling fan ventilation\n\nMetadata to facilitate editing with Catalyst Browse and Prepare software\n\nDual card slots, both compatible with CFexpress Type A and SDXC\/SDHC\n\nCompact, lightweight body designed for mobility\n\nDust and moisture resistant design to handle challenging environments\n\nProduct Features:\n\nSupport for filmmaking\n\nThe FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilization features let you concentrate on composition, not the complexity of crews and rigging.\n\nDesigned for visual storytelling\n\nThe FX30's S-Cinetone picture profile gives you a beautiful cinematic look straight out of the camera. Features like Dual Base ISO and Cine EI are designed to provide gorgeous images for cinematic shooting and workflow.\n\nDrawing on the Cinema Line heritage\n\nFilm industry experience allied with state-of-the-art imaging technology. The outstanding Cinema Line series of cinema cameras is built on decades of experience in the film industry and supported by Sony's sophisticated new technologies on the cutting edge of digital imaging.\n\nBeautiful imagery\n\nAdvanced technology for outstanding resolution. The FX30's back-illuminated Exmor™ R APS-C CMOS sensor captures memorable Super 35mm imagery with outstanding resolution and shallow depth of field. 6K oversampling compresses a vast amount of information into 4K recording and output, and the BIONZ XR™ processing engine enables natural gradations, realistic color reproduction, low noise, and other image quality improvements.\n\nS-Cinetone gives you a cinematic look without grading\n\nThe S-Cinetone picture profile provides cinematic-looking color, skin tones and other visual aspects straight out of the camera, without the need for any post-production color grading.\n\nInfinite possibilities of expression with S-Log3\n\nFor production color matching, and to access the full capabilities of the image sensor, the FX30 can shoot with an S-Log3 gamma curve. This gives you access to the FX30's expansive color gamut and 14+ stops latitude, for true cinematic image quality during post-production color grading.\n\nUser LUTs provide an accurate image preview\n\nCustomizable LUTs, both preset and user-supplied, can be applied to the FX30's LCD monitor display, recorded footage, and HDMI output to give you a better and more accurate idea of what your final image will look like.\n\n10-bit 4:2:2 recording for greater editing latitude\n\nThe FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, providing more color information so you can produce fuller, more natural gradations in post-production.\n\nCine EI, Cine EI Quick, and Flexible ISO modes\n\nFlexible exposure mode handling. Cine EI offers wide latitude and the highest possible image quality, while Cine EI Quick simplifies setup by automatically selecting the camera's base ISO. Flexible ISO provides the greatest flexibility for exposure settings.\n\nDual Base ISO (ISO800 \/ ISO2500)\n\nWith this feature you can manually set your base ISO to 2500 instead of 800 in low-light situations. Noise levels at both settings are about the same, so this gives you cleaner footage in low light.\n\nSlow-motion images at up to 120 frames per second\n\nWith 4K recording at up to 120 frames per second with autofocus, you can create extraordinarily smooth 5x (max.) slow-motion imagery to expand your storytelling options.\n\nReliable AF maintains a steady focus\n\nSophisticated tracking features let you concentrate on your shoot. The FX30 provides stable AF and flexible focusing for a wide range of shooting situations. Wide-area AF provides tenacious subject tracking across almost the entire frame, with Real-time Tracking based on Sony's unique, AI-based subject recognition. Real-time Eye AF ensures precise focus on the face and eyes, tailored to humans, birds and animals.\n\nIn-body image stabilization for hand-held shooting\n\nActive Mode is a 5-axis image stabilization mode that uses a precision gyroscope sensor and optical compensation, enabling hand-held shooting at 4K resolution without a gimbal.\n\nCompensation for focus breathing\n\nIn-camera Focus Breathing Compensation, when used with compatible lenses, provides more stable imagery by minimizing the field-of-view shift that can occur when racking focus. Additional breathing compensation is also available in post-production software, supported by camera metadata.\n\nReady to go wherever you shoot\n\nCompact and light in weight, the FX30 can be operated in combination with gimbals and drones, or with a variety of attached equipment. It's designed to withstand long shoots, with sturdy construction suited to harsh conditions.\n\nCompact, lightweight body\n\nDesigned for mobility and comfortable operation. Weighing in at 1 lb 6.8 oz (646 g) with battery and memory card and 2 lb 1.5 oz (951 g) with the XLR handle unit, the FX30 features a distinctive flat-top design that's suitable for either handheld shooting or gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability, and comfort for extended handheld shooting sessions.\n\nThree thread holes in the XLR handle unit for accessories\n\nExternal monitors, recorders, batteries, video lights, extension grips, wireless microphone receivers, or other add-ons can be stably and securely attached to the FX30's XLR handle unit.\n\nReliable operation for long shoots at 4K\n\nWith its highly efficient cooling system and stable power supply (from a high-capacity Z100 battery or via USB PD), the FX30 is designed to keep working reliably over extended shoots.\n\nDurable magnesium alloy chassis\n\nThe main body and covers of the FX30 are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\n\nNew main menu\n\nQuick access to frequently used features. While shooting, you can access frame rate10, shutter speed, and other essential shooting parameters via a list-style main menu. Display of the main menu can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Separate main menus optimized for movies and stills are provided.\n\nTwo CFexpress Type A and SD card compatible media slots\n\nCFexpress Type A is the next standard for compact storage, with fast write\/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.\n\nFlexible high-resolution touch-panel LCD monitor\n\nA side-opening vari-angle rear monitor allows broad positioning and framing freedom. It's bright enough for easy outdoor daytime viewing, and it incorporates a swipe-to-access function menu.\n\nBroad connectivity in a compact body\n\nAn HDMI Type-A connector can be used for external recorders and display devices. Other connectors include USB Type-C®, Multi\/Micro-USB, mic, headphone, and a Multi Interface Shoe with built-in digital audio interface.\n\n16-bit RAW output via HDMI\n\nFor demanding workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.\n\nExpandable to meet your needs\n\nWhether it's finding the perfect lens for your shoot, choosing the best external audio source or accommodating post-production workflow requirements, the FX30 has you covered.\n\nOne Mount: connect seamlessly with E-mount\n\nThe One Mount concept is based on Sony's E-mount platform of interchangeable lenses. The FX30 is compatible with all E-mount lenses, so you can choose the right lens for any situation.\n\nChoose your audio input source\n\nThe FX30's XLR handle unit includes two XLR audio inputs, enabling quick and easy connection to a variety of external XLR microphones to capture a high-quality audio track. Together with the XLR inputs, an additional 3.s mm 2 ch mini jack supports 4 ch input. The FX30's Multi Interface Shoe provides compatibility with a wide range of Sony microphones.\n\nEnhanced image stabilization and easier workflows with Catalyst\n\nThe FX30 records a wealth of metadata for use wtith Sony's Catalyst Browse Prepare application, including camera shake, camera rotation, breathing compensation, embedded LUTs and shot marks.\n\nPursuing a sustainable product ecosystem\n\nMeasures for the environment include using recycled materials in production, managing environmental impact throughout the supply chain, using renewable energy in production, and using recyclable non-plastic packaging materials.\n\nProduct Specifications:\n\nBattery Operating Time\n\nActual recording, CIPA standard - Approx. 115 min\n\nContinuous recording, CIPA standard - Approx. 175 min\n\nStill image, CIPA standard - Approx. 570 shots\n\nSize \u0026amp; Weight (Approx.)\n\nWeight (main unit only) - 646 g (1 lb 6.8 oz) (with battery and memory card included), 562 g (1 lb 3.8 oz) (body only)\n\nDimensions (W x H x D) - 129.7 mm x 77.8 mm x 84.5 mm (5 1\/8 x 3 1\/8 x 3 3\/8 inches) (body without protrusions)\n\nOperation\n\nOperating Temperature - -20 to +55 degrees C\n\nStorage Temperature - -20 to +55 degrees C\n\nRecording Frame Rate (Video)\n\nXAVC S-I 4K - 3840x2160\/59.94p, 50p, 29.97p, 25p, 23.98p\n\nXAVC S-I HD - 1920x1080\/59.94p, 50p, 29.97p, 25p, 23.98p\n\nXAVC S 4K - 3840x2160\/119.88p,100p,59.94p, 50p, 29.97p, 25p, 23.98p\n\nXAVC S HD - 1920x1080\/119.88p,100p,59.94p, 50p, 29.97p, 25p, 23.98p\n\nXAVC HS 4K - 3840x2160\/119.88p,100p,59.94p, 50p, 23.98p\n\nRecording\/Playback Time (Video)\n\nXAVC S-I 4K - XAVC S-I 4K 59.94p: When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, XAVC S-I 4K 50p: When using CEA-G160T (160 GB) Approx. 35 minutes, When using CEA-G80T (80 GB) Approx. 15 minutes\n\nXAVC S-I HD - XAVC S-I HD 59.94p: When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes, XAVC S-I HD 50p: When using CEA-G160T (160 GB) Approx. 90 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes\n\nXAVC S 4 - XAVC S 4K 59.94p\/50p 200M: When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, XAVC S 4K 59.94p\/50p 150M: When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80 GB) Approx. 50 minutes\n\nXAVC S HD - XAVC S HD 59.94p\/50p 50M: When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80 GB) Approx. 130 minutes, XAVC S HD 59.94p\/50p 25M: When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80 GB) Approx. 210 minutes\n\nXAVC HS 4K - XAVC HS 4K 59.94p\/50p 200M: When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, XAVC HS 4K 59.94p\/50p 150M: When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80 GB) Approx. 50 minutes, XAVC HS 4K 59.94p\/50p 100M: When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80 GB) Approx. 75 minutes, XAVC HS 4K 59.94p\/50p 75M: When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80 GB) Approx. 95 minutes, XAVC HS 4K 59.94p\/50p 45M: When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80 GB) Approx. 140 minutes\n\nRecording Format (Proxy Audio)\n\nXAVC Proxy - AAC-LC, 128 kbps, 2 ch\n\nRecording Format (Proxy Video)\n\nXAVC HS HD - MPEG-H HEVC\/H.265 1920x1080 4:2:0 10 bit 16 Mbps 1920x1080 4:2:0 10 bit 9 Mbps\n\nXAVC S HD - MPEG-4 AVC\/H.264 1280x720 4:2:0 8 bit 6 Mbps\n\nRecording (Still)\n\nRecording Format - JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)\n\nImage Size (pixels) [3:2] - L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M)\n\nImage size (pixels) [4:3] - L: 5504 x 4128 (23M), M: 3888 x 2920 (11M), S: 2752 x 2064 (5.7M)\n\nImage Size (pixels) [16:9] - L: 6192 x 3480 (22M), M: 4384 x 2464 (11M), S: 3104 x 1744 (5.4M)\n\nImage size (pixels) [1:1] - L: 4128 x 4128 (17M), M: 2912 x 2912 (8.5M), S: 2064 x 2064 (4.3M)\n\nCamera Section\n\nShutter Speed - [Movie] 1\/8000 to 1\/4 (1\/3 steps), up to 1\/60 in AUTO mode (up to 1\/30 in Auto slow shutter mode), [Still image] 1\/8000 to 30 sec\n\nImaging Device (Type) - APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor\n\nNumber of Pixels (Effective) - Movie: Approx. 20.1 megapixels, Still image: Approx. 26.0 megapixels\n\nNumber of Pixels (total) - Approx. 27.0 megapixels\n\nISO Sensitivity - [Movie] ISO 100-32000 equivalent , AUTO (ISO 100-6400, selectable lower limit and upper limit), [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)\n\nSlow and Quick Motion Function - [XAVC S-I HD \/ XAVC S HD]NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps,240fps, PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps,200fps\n\nWhite Balance - Auto \/ Daylight \/ Shade \/ Cloudy \/ Incandescent \/ Fluorescent \/ Underwater \/ Color Temperature (2500 to 9900K) \u0026amp; color filter \/ Custom\n\nGamma Curve - Off \/ PP1-PP6 \/ PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset\n\nLatitude - 14+ stop (S-Log3)\n\nFocus system\n\nType - Fast Hybrid AF (phase-detection AF \/ contrast-detection AF)\n\nFocus Point - Movie: 495 points (phase-detection AF), Still image: 759 points (phase-detection AF)\n\nSensativity Range - EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)\n\nFocus Mode - Movie: AF-C (Continuous AF), Manual Focus, Still image: AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus\n\nFocus Area - Movie: Wide \/ Zone \/ Center Fix \/ Spot \/ Expand Spot, Still image: Wide \/ Zone \/ Center Fix \/ Spot \/ Expand Spot \/ Tracking\n\nOther Focus Features - Focus Magnifier (APS-C: 6.1x \/ 12.1x)\n\nExposure control\n\nMetering Sensativity - EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)\n\nExposure Modes - Movie: Programmed AE (P) \/ Aperture priority (A) \/ Shutter priority (S) \/ Manual Exposure (M) \/ Flexible Exp. Mode, Still images: Intelligent Auto (Auto) \/ Program Auto (P) \/ Aperture priority (A) \/ Shutter priority (S) \/ Manual Exposure (M)\n\nMonitoring\n\nLCD - Opening Angle:Approx. 176 °, Rotation Angle:Approx. 270 °\n\nBuilt-in Microphone\n\nBuilt-in Microphone - Built-in, stereo\n\nFile System\n\nFile System - FAT12, 16, 32, exFAT\n\nZoom Function\n\nClear Image Zoom - Movie: Approx. 1.5x (4K), Approx. 2x (HD), Still image: L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x\n\nDigital Zoom - Movie: Approx. 4x Still Image: L: Approx. 4x, M: Aapprox. 5.7x, S: Approx. 8x\n\nSmart Zoom - Still Image: M: Approx. 1.4x, S: Approx. 2x\n\nStill image function\n\nShutter - Electronic shutter\n\nDrive Modes - Single Shooting, Self-timer, Bracket: Single, White Balance bracket, DRO bracket\n\nNoise Reduction - High ISO NR: Normal \/ Low \/ Off\n\nOther Still Image Function - Anti-flicker Set\n\nCustom function\n\nCustom Function - Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set\n\nLens Compensation\n\nLens Compensation - Peripheral Shading, Chromatic Aberration, Distortion\n\nWi-Fi\/NFC\n\nSupported Format - IEEE 802.11a\/b\/g\/n\/ac\n\nFrequency Band - 2.4 GHz band\/5 GHz band\n\nSecurity - WEP\/WPA-PSK\/WPA2-PSK\n\nFTP Transfer\n\nFTP Transfer - Wired LAN (USB-LAN), USB Tethering, Wi-Fi\n\nRAW Output\n\nHDMI - 4672 x 2628 (59.94p, 50p, 29.97p, 25p, 23.98p), 16bit\n\nOther Video Function\n\nVideo Function - Audio Level Display, Audio Rec Level, TC\/UB, Creative Look, Gamma Display Assist, PAL\/NTSC Selector\n\nMedia\n\nType - CFexpress Type A \/ SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy\n\nImage Stabilization\n\nType - Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)\n\nMode - Movie: Active \/ Standard \/ Off, Still image: On \/ Off\n\nCompensation Effect (Still Images) - 5.5 stops (based on CIPA standard. Pitch\/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted.)\n\nAccessibility\n\nScreen Reader - Yes (Language: English, Speed: 7 steps, Volume: 16 steps)\n\nZoom\n\nZoom Function - Zoom ring rotate\n\nRecording Format (Video)\n\nXAVC S-I 4K - XAVC S-I 4K 59.94p: 600 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 50p: 500 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 29.97p: 300 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 25p: 250 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 23.98p: 240 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264\n\nXAVC S-I HD - XAVC S-I HD 59.94p: 222 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I HD 50p: 185 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I HD 29.97p: 111 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I HD 25p: 93 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I HD 23.98p: 89 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264\n\nXAVC S 4K - XAVC S 4K 59.94p\/50p: 200 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S 4K 59.94p\/50p: 150 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264, XAVC S 4K 29.97p\/25p: 140 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S 4K 23.98p: 100 Mbps 4:2:2 10 bit, MPEG-4 AVC \/ H.264, XAVC S 4K 29.97p\/25p\/23.98p: 100 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264, XAVC S 4K 29.97p\/25p\/23.98p: 60 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264, XAVC S 4K 119.88p\/100p: 280 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S 4K 119.88p\/100p: 200 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264\n\nXAVC S HD - XAVC S HD 59.94p\/50p\/29.97p\/25p\/23.98p: 50 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S HD 59.94p\/50p\/29.97p\/25p\/23.98p: 50 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264, XAVC S HD 59.94p\/50p: 25 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264, XAVC HD 29.97p\/25p: 16 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264, XAVC S HD 119.88p\/100p: 100 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264, XAVC S HD 119.88p\/100p: 60 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264\n\nXAVC HS 4K - XAVC HS 4K 59.94p\/50p: 200 Mbps 4:2:2 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p: 150 Mbps 4:2:0 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p\/23.98p: 100 Mbps 4:2:2 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p: 75 Mbps 4:2:0 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p: 45 Mbps 4:2:0 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p: 100 Mbps 4:2:0 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p: 50Mbps 4:2:2 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p: 50 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p: 30 Mbps 4:2:0 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 119.88p\/100p: 280 Mbps 4:2:2 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 119.88p\/100p: 200 Mbps 4:2:0 10 bit MPEG-H HEVC \/ H.265\n\nRecording Format (Audio) - LPCM 2 ch(48 kHz 16 bit), LPCM 2 ch(48 kHz 24 bit), LPCM 4 ch(48 kHz 24 bit)\n\nInterface\n\nHeadphone Output - 3.5 mm Stereo minijack\n\nSpeaker Output - Built-in, monaural\n\nHDMI Output - YCbCr 4:2:2 10 bit \/ RGB 8 bit\n\nMulti Interface Shoe - With Digital Audio Interface\n\nAudio Input - 3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR\/TRS-type 3-pin(female) (x2), line\/mic\/mic +48 V selectable, Mic Reference -40 to -60 dBu \/ [INPUT3] 3.5 mm Stereo minijack\n\nTC Input\/TC Output - Multi\/Micro USB, TC IN *6  With Digital Audio Interface\n\nUSB Terminal - USB Type-C® (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi\/Micro USB (x1)\n\nPower Consumption\n\nMovie - Approx. 5.6 W (with E PZ 18-105mm F4 OSS lens attached)\n\nStill Image - Approx. 3.5 W (with E PZ 18-105mm F4 OSS lens attached)\n\nPlayback\n\nPlayback Functions - Index view, Folder selection (Date \/ Still \/ Movie), Photo capture, 4ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)\n\nWhat's In The Box\n\nSupplied Accessories - Camera body | ILME-FX30 Rechargeable Battery | NP-FZ100 USB battery charger | AC-UUD12 Top Handle with XLR Input Module Body cap MI Accessory shoe cap Handle Shoe Cap USB-A to USB-C cable (USB 3.2)","brand":"voltnuvia","offers":[{"title":"Default Title","offer_id":46825069674575,"sku":"401","price":1258.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/3372\/6543\/files\/893045_1.jpg?v=1789859953","url":"https:\/\/voltnuvia.shop\/products\/sony-cinema-line-fx30-super-35-camera-ilme-fx30b","provider":"VoltNuvia","version":"1.0","type":"link"}